Supervising Sound Editor Martín Hernández uses RX to achieve immersive sound design in Alejandro G. Iñárritu's VR film, "Flesh and Sand."
When mixing drums, the hi-hat is often undervalued versus low-end elements. But a hi-hat is vital to an overall great drum mix, here are eight tips to get you there.
We spoke with Tool, Coheed and Cambria, and Kyuss producer and recording engineer, Joe Barresi, about heavy music and his approach to a metal session.
Your guide to everything mix bus-related. Learn how they work, when you should route your tracks to a group bus, and how to do it the right way.
In this article, we’ll use Exponential Audio products to demonstrate how to give drums weight, depth, cohesion, and space.
What are sends? What are return effects? We answer these questions and list six mistakes to avoid when using them.
Even the best engineer runs out of tricks. Here are four unlikely mixing techniques to save the day when you’ve exhausted your options.
Neutron 3’s EQ includes a soft-saturation mode. Learn what the soft-saturation is actually doing, and go over some ways to implement it on a mix.
VCAs and sub-group busses can be easily confused. Here’s your primer on the difference and when it makes sense to use one vs. the other.
We all want a pro-sounding wide mix. Here are six stereo imaging tips to get you there, with consideration for genre, song structure, and mono compatibility.
There’s nothing worse than an overly bright mix, but taming those high-end and high-mid frequencies can be tricky. Here are six ways to adjust a bright mix.
Learn how Neutron can help you achieve blazing fast and exceptional results in your mixing practice. Start saving time today!